In this article (featuring a quite fantastic title), Dudrah discusses how British bhangra music relates to Asian youth in Britain. Because it uses traditional instruments and, sometimes, even traditional songs combined with more modern Western styles, bhangra music seems to reflect the identities of these British Asian youth. It allows them to connect with their heritage in a way that is still true to the urban reality they know. I did find it interesting that bhangra music was somewhat similar to rap; it is clearly male-dominated, often with lyrics that are disparaging towards women, but listeners often overlook that because they enjoy the beat or are too busy dancing to notice.
Discussion question: It seems that a number of parallels can be drawn between bhangra and hip-hop, including the importance and prevalance of traditional songs and, at least for bhangra, instruments. Do you think these connections to each culture's heritage is related to their minority status, or is this something that is true for most genres?